“The mimesis of amateurism began around 1966; that is, at the last moment of the “Eastman era” of amateur photography, at the moment when Nikon and Polaroid were revolutionizing it. The mimesis takes place at the threshold of a new technological situation, one in which the image-producing capacity of the average citizen was about to make a quantum leap. It is thus, historically speaking, really the last moment of “amateur photography” as such, as a social category established and maintained by custom and technique.
The above-referenced quote was taken from an essay written by Canadian artist, Jeff Wall, “Marks of Indifference”: Aspects of Photography in, or as, Conceptual Art, reinforced my definition about images captured using a cellphone camera as art, taken by a photographer.
This image was taken while sitting under a tree. I mentally placed the image in my mind, and voila, I snapped the photograph. Various technological options were used to manipulate the photo. The cellphone photograph was used to create a narrative on fabric. This piece is from the sticks-a-gogo Art Cloth Bokeh Collection: Landscape found in my store spoonflower.com/profiles/sticks-a-gogo_art_cloth
Sew was an experiment using the Adobe Photoshop Camera App.
In short, Boke is a Japanese photographic technique that produces an aesthetic quality of blurring. “In 1997, the English spelling bokeh was popularized under the direction of Mike Johnston of Photo Techniques Magazine.” Wikipedia
I am excited to introduce the Bokeh Collection to the line of sticks-a-gogo Art Cloth.
Creating digital textile images via contemporary digital printing technology empowers me to make my own art cloth designs. Looking through the lens of my cellphone along with a gentle click of the finger, I am able to create a narrative of places, people and things I find interesting.
The ability to bring my vision to “life” from start to finish elevates my importance as a designer and a consumer. Utilizing new skills, which by the way, I’ve been taking classes using Photoshop Elements, supports my desire to create something special, a timeless unique piece of artwork. A symbiotic relationship develops between me and the image, I am emotionally attached to the cloth because it describes who I am.
For a long time, I’ve wanted to combine two of my passions…photography and fabric. I’ve been fascinated with Photoshop for some time, and recently discovered a vehicle for designing fabric digitally, Spoonflower.
I started out with a picture I captured with my digital camera.
Used Photoshop for fun, and uploaded my design to Spoonflower.
I proofed the design to make sure the visual imagery was what I wanted.
I’m excited about all the creative possibilities for this fabric design with more to come. Stay tuned!