Can another person truly appreciate the collections of another? I’ve been contemplating the answer to this question. Each time I climb the stairs to my attic, I transcend the reality of down below. Surrounded by bins full of color, texture, and print transports me to a reality all my own. Will someone else be able to share my reality or create their own?
I own three Singer sewing machines, two Bernina sewing machines and one Bernina Funlock machine. My first Singer was given to me by my parents as a Christmas gift, the second was given to me by my husband when I was expecting our daughter, and the third I bought from a co-worker who needed the money. The Bernina I purchased for myself and the second Bernina was given to me after my mother-in-law passed away. Each machine, as silly as it sounds, represents a stage in my life. They are a part of my history.
Which brings me to the reason for this post…I didn’t think I had much in common with Betty, except for her son and granddaughter, my husband and daughter. Well, that was until I inherited her sewing machine, fabric and notions.
Rarely, did I see Betty wear color, but her thread collection reflects a different story.
The Stretch and Sew pins bring back memories of the Stretch and Sew knits http://www.asg.org/files/hall/2004_Person.pdf. I can’t part with her collection of hotel sewing kits, especially the one from a hotel in Sri Lanka. Betty was a world traveler reflected by the stamps in her passports (which I’ve got for safe keeping). Her collection of silk from Thailand and India, and batiks from Bali.
I appreciate Betty’s love of travel and culture, narrated by her gifts to me.
I’ve always been attracted to the pairing of black and white with geometric patterns, stripes and photographs.
One afternoon while browsing through my collection of knitting books, I turned to a page marked with a post-it note and discovered a project on my forgotten “this looks interesting” list. Eureka! An opportunity to use Louisa Harding Yarns‘, Akiko (70% Wool and 30% Alpaca) in cols. 004, 005, 006.
I selected the pattern from, Vogue Knitting, Very Easy Knits, The Best of Very Easy Very Vogue, Split-Color Pullover, designed by Barbara Nudleman and Susan Prince for the Fall/Winter 1984 issue of Vogue Knitting. I decided to color block the sleeves of the sweater, lacking symmetry.
The neckline has an “unfinished look” so I’ve added a crochet picot edge on the neckline. I photographed the neckline unfinished for comparison.
Knitting with Akiko is amazing. There is a slight thickness variation between the colors which affects the drape of the yarn, but does not significantly alter the gauge.
Before the Pantone Color Guide published in 1963, A. Boogert, a Dutch artist produced a body of work about mixing watercolors, dated 1692. The entire book may be viewed in full resolution at:
The following link shows actual painted pages with a summary of the book.
I’m in awe of this artist’s work. If you are fascinated by yarn bombing, you’ll definitely find her work interesting and inspiring.
This looks interesting…I’d like to try printing my own fabric at least once. How about you?
Originally, I designed the Woven Mesh Cowl with a yarn that is no longer available. Previously, I didn’t have control over what I designed with, but this time I selected from my own stash of Habu textiles and vintage rayon yarn from The Great Adirondack Yarn Co. How liberating! I improved the design by adding a K2 P2 rib which eliminates the rolled edge of stockinette stitch. I combined different colors of Habu wrapped merino for the stitch pattern, used wrapped silk for the rib stitch and each segment of the pattern stitch is separated by a touch of copper-colored metallic lame rayon yarn.
The pattern stitch knit in the round:
Rnd 1: Knit
Rnd 2: *Purl 1, Slip 1 wyif* repeat across round
Rnd 3: Knit
Rnd 4: *Slip 1 wyif, Purl 1* repeat across round
Gauge: Approximately 4.5 sts/5 sts per inch
CO 223 stitches using a Size 7 needle. Join being careful not to twist stitches. I cast on an extra stitch for joining. If using another method of joining, use an even amount of stitches. I began with 8 rounds of rib followed by the pattern stitch. Separate each segment of pattern stitch with rounds of stockinette stitch. When cowl has reached desired width, end with 8 rounds of rib.
Bind off loosely.