Power Sewing

Sandra Betzina's Newsletter
Captured from Sandra Betzina’s Newsletter October 2019

I was so excited to receive Sandra Betzina’s current Newsletter.  What a wonderful surprise to read about sticks-a-gogo Art Cloth.  I look so forward to seeing the fabric stitched up in one of Sandra’s designs.

What’s next for sticks-a-gogo Art Cloth?  I’m ready to find out!

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After The Dust Settles

Well, last weekend was Artistry in Fashion at Canada College in Redwood City, CA.  My first installation of sticks-a-gogo Art Cloth was well-received.   One person said, “Your booth is really fresh and original.”  Another mentioned, “Your work is original, and believe me, I’ve seen a lot.” I wasn’t sure “people would get me” and what I was trying to express until Sandra Betzina, said, ” You’re on to something, keep it up.”  I don’t usually like to name drop, but in this case…Why not!

Mary Lou Sandra Betzina
Mary Lou and Sandra Betzina at Artistry in Fashion, Redwood City, CA©2019

Here are the first of my new collection:

Foggy Morning Commute
Foggy Morning Commute ©Mary Lou Fall 2019

 

Sunset Behind The Mountain
Sunset Behind A Mountain ©Mary Lou Fall

 

Morning Commute #2
Morning Commute ©Mary Lou Fall

 

Leather and Knit Woven Stitches
Weaving With Polka Dots ©Mary Lou Fall

 

Color Etching
Color Etching ©Mary Lou Fall

Sticks-a-gogo Art Cloth is exploring other avenues for fabric substrates.  Leather may be added to the collection.  How exciting! I’ll keep you posted, or follow sticks-a-gogo on Instagram.

 

 

Sticks-a-GoGo Art Cloth meets ZigZagDesigns

What started as a casual meeting during a presentation Christine was giving at Canada College Fashion Department, has become a friendship.  A friendship which recently blossomed into a  professional collaboration.  Christine Groom of ZigZag Designs and me, Mary Lou Fall of sticks-a-gogo Art Cloth are collaborating at Artistry in Fashion on September 28, 2019 from 10-4 pm at Canada College located in Redwood City, California.

I am so excited to share one of our collaborations.

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ZigZag Designs Loretta Jacket and sticks-a-gogo Art Cloth Trees_1

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The Loretta Jacket is a pre-order and can be found at @zigzagdesignsbychristine and http://www.etsy.com/shop/ZigZagPatterns and the art cloth can be purchased at Artistry in Fashion or ordered through https://spoonflower.com/profiles/sticks-a-gogo_art_cloth

 

 

The Many Images of Art Cloth

Creating digital textile images via contemporary digital printing technology empowers me to make my own art cloth designs.   Looking through the lens of my cellphone along with a gentle click of the finger, I am able to create a narrative of places, people and things I find interesting.

The ability to bring my vision to “life” from start to finish elevates my importance as a designer and a consumer. Utilizing new skills, which by the way, I’ve been taking classes using Photoshop Elements, supports my desire to create something special, a timeless unique piece of artwork.   A symbiotic relationship develops between me and the image, I am emotionally attached to the cloth because it describes who I am.

©Mary Lou Fall 2019   Cranberries and Lemon Zest
©Mary Lou Fall 2019    Shapes and Lines
©Mary Lou Fall 2019   Sunflower and A Bee

To view more of my work visit https://www.spoonflower.com/profiles/sticks-a-gogo_art_cloth

 

 

 

 

 

Art Cloth Abounds

Spider Webs for Spoonflower
Spiderwebs ©Mary Lou Fall
Trees
Trees ©Mary Lou Fall
Trees #1
Trees #1 ©Mary Lou Fall

All of my designs are found at  https://www.spoonflower.com/profiles/sticks-a-gogo_art_cloth

Sticks-a-GoGo Art Cloth

For a long time, I’ve wanted to combine two of my passions…photography and fabric.  I’ve been fascinated with Photoshop for some time, and recently discovered a vehicle for designing fabric digitally, Spoonflower.

I started out with a picture I captured with my digital camera.

A Few Of My Favorite Things #12_1
Melissa’s Origami©  Photography: Mary Lou Fall

Used Photoshop for fun, and uploaded my design to Spoonflower.

ML phone pics 1593

I proofed the design to make sure the visual imagery was what I wanted.

IMG_20190323_094204_953

I’m excited about all the creative possibilities for this fabric design with more to come.  Stay tuned!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Conflicted

In the “Back Room,” my yarn and fabric are co-mingled into an organized system by color, content, weight and gauge.  While knitting, I think about sewing, and while sewing, I think about knitting.  I know many sewists and knitters listen to podcasts, audio books, or stream, but I let my mind wander in silence.

Today, while knitting the cuffs on a cashmere sweater, out of the corner of my eye, three pieces of bark cloth caught my attention, two are vintage and the other a current day piece from Japan.

knitting with cashmere_1

 

bark cloth

bark cloth #2
Bark Cloth c. 1943
bark cloth #3
Outback Wife by Gertrude Made. Kirstine ella blue      Made in Japan

If you haven’t guessed by now, I’m a very curious person.   I like to “fill in the blanks” so to speak, when it comes to the history of things.  And I constantly wonder why I am attracted to a certain style, design, fabric or yarn?  What about the history of bark cloth, and why do I like it?

According to Wikipedia, bark cloth was once common in Asia, Africa and the Pacific.  Bark cloth has been manufactured in Uganda for centuries and is Uganda’s sole representative on the UNESCO Intangible Cultural Heritage Lists.   France produced bark cloth as cotton mixed with rayon in the 1920s and was known as Cretonne.  In the 1930s, the fabric was produced in America and was popular in Hawaii.  Common designs were florals, botanical prints, tropical prints, geometric and abstract atomic era prints.  American bark cloth also shot through with gold lurex threads called Las Vegas cloth, and was a combination of 65% rayon as well as cotton. I remember bark cloth being used in the 1960s for upholstered furniture, curtains and cushions. Along with a rough textured appearance, bark cloth is about the texture of the cloth, rather than the fiber.  It doesn’t have a wale (rib) or distinct weave effect.  Vintage pieces of bark cloth may be found on etsy or ebay.

Today’s densely woven cotton “bark cloth” is named such because it resembles the texture of tree bark and are look-a-likes to the traditional fabrics.

According to Blueprint Africa http://www.blueprintafrica.com/interior/homewares/female-african-textile-designers-not-designing-african-print/  currently, there is a female African Textile Designer, Yemi Awosile (Nigeria/UK), using the bark of the East African fig tree, also known as the Mutuba tree.  Mutaba is harvested every year without felling the tree and has a naturally occurring fibrous structure which resembles woven bast fiber. Her design was exhibited at UNESCO’s Bark Cloth in Manufacturing Architecture, Arts and Design event.

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Yemi Awosile (Nigeria/UK)

Ugandan born British eco-sustainable designer, Jose Hendo,  http://wwwjosehendo.com “takes a fresh approach to contemporary fashion designs challenging the obsolescence nature of fashion and the throw away culture.”

jose hendo
Jose Hendo, Getty Images
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Jose Hendo, Bark Cloth

I seek pleasure “filling in the blanks” about the the material I use.  Building a connection and having a relationship with the tangible object I create is an extension of who I am.  How could I throw away a piece of fabric or a skein of yarn I cherish for its unique qualities?  I like bark cloth because of its texture and its resemblance to the bark of a tree, and not having a distinct weave effect creating an uneven texture.  Expanding my knowledge and worldview adds meaning to my life experience.