Block Printing

As the temperature rises, I’m reminded it’s Summer.  A linen blouse, crop pants, sandals and a ponytail pretty much describe my look for the season.  Comfortable clothes combined with the heat, and last but not least, barbecue ignite an intense creative curiosity leading me down an unknown path.  Perhaps I’m nostalgic for Summer days gone by when, as a young girl, the end of the school year meant staying up late and sleeping in, swimming all summer, making lanyards at my local Parks and Recreation Department or hanging out in the mystery section at the library.  Along the way, I loved biking through fields of flowers, racing with dragonflies, and collecting rocks.  A time and place I created for myself, the freedom to explore without any encumbrances.

My current Summer journey leads to an intense study of block printing.  Recently, I attended a block printing class at A Verb For Keeping Warm in Oakland, CA with Rebecca of Rekh & Datta. Rebecca shared a video of India, describing a brief history of  block printing along with the individual family that translates her designs to fabric.

Block Printing #1

Photo credit:  Mary Lou Fall

Here is my first carved block .

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Photo credit:  Mary Lou Fall

Block Printing #2

Photo credit:  Mary Lou Fall

I decided to separate the block into individual segments to experiment with pattern and design.

Block Printing #3

Photo credit:  Mary Lou Fall

Much to my surprise, some interesting patterns emerged.  I feel fortunate to have the “time” to let my curiosity soar to new heights and discover amazing possibilities.

I used to think reminiscing about the past was not healthy, but I now believe my past is my present.  Looking back is not past history, and according to Sadie Stein, “As the deep vaults of history are made accessible to everyone via technology, the past has become an alternative present.”  Ms. Stein’s article appeared in The New York Times Style Magazine, entitled, We’re Living in a Copycat Culture, dated January 31, 2017.

“The past is never dead.  It’s not even past.”    William Faulkner

 

 

 

 

 

 

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Swatching

Well…hopefully last night was the end of the rainy season in Northern California.  Last year at this time, I was wishing for more rain.  Now, the drought is officially over!  I look forward to pulling some weeds and planting sunflower and zinnia seeds along with a few tomato plants.  At the moment, I’m on the mend due to a stress fracture in my left foot, which gives me more time for knitting.

A couple of years ago, The Yarn Truck was parked at one of my local yarn stores, and I purchased two skeins of OctoBaa 100% superwash merino (8 ply sport weight) 270 yards, from Indiodragonfly.  What can I create with 540 yards of yarn?  Time to swatch.

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Photo credit:  Mary Lou Fall

 

This stitch pattern above reminds me of ornamentation found on Etruscan and Greek architecture, vases and tomb paintings.  I had an idea of combining two different stitch patterns in one project, so I studied the specific visual qualities of the above swatch.  I noticed the dimensionality created by the knit and purl stitches.  Also, if you look closely, there is a pattern within a pattern.  Do you see it?  Notice the movement of the pattern.

The first swatch pictured above deepened my desire to find other patterns which would express  surface movement.

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Photo credit:  Mary Lou Fall

Isolating the hidden pattern in Swatch 1, inspired me to seek out the use of cables. Swatch 2 represents an element found in Swatch 1.

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Photo credit:  Mary Lou Fall

Swatch 3 builds upon surface elements found in Swatches 1 and 2.  The cables found in both swatches lean to the left and the use of garter stitch horizontally separates the vertical elements of stockinette stitch.

Recently, I’ve made a concerted effort to really “look” at my knitting.  What relationship develops between the yarn and stitches while creating the overall pattern?  How does this relationship visually enhance the color and qualities of the fiber?  Or, is it the other way around…How does the synergy between the elements affect the outcome?  I believe, the whole is greater than the sum of its parts.

 

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Wrapped in Ripples

As I explore new techniques in knitting, my posts are happening less frequent.  The more involved the project, the longer between posts. My most recent endeavor forced me into learning short-row shaping.

Breathing Space, designed by Veera Valimaki is a true commitment to knitting.  Knitting stripes combined with short-row shaping creates an interesting asymmetrical hemline.   The pattern is well-written and fits like a dream.

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Photo credit: Mary Lou Fall

Another project I’ve completed is inspired by an image I captured on my local hiking trail.  The local landscape has changed  quite a bit due to the flooding California experienced this Winter. Trees have toppled and the power of gushing water forcing its way through our creeks and dams, has altered the topography.

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Photo credit: Mary Lou Fall  (Ripples In The Sand)

 

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Photo Credit:  Mary Lou Fall (Wrapped In Ripples)

The pattern stitch paired with  Zealana Rimu creates a beautiful sculptural piece of knitting.

Wrapped In Ripples is inspired by my photo, Ripples In The Sand.

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Photo credit:  Mary Lou Fall

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Photo credit:  Mary Lou Fall

Click on the link below to get the free pattern of Wrapped In Ripples.

Wrapped In Ripples

 

 

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Let The Yarn Dictate The Project

Lately, I’ve been taking inventory of my yarn collection trying to remember the intended purpose of each purchase.  Well…it’s been quite an exercise.  A great majority of my selections were impulse decisions without a particular project in mind.  I liked the color, feel, or was stimulated by the environment in which I shopped.

Attending Stitches West surrounded by one giant color wheel detailed by the different gauges of yarn, the tactile experience of the many different combinations of plant and/or animal fiber along with the social camaraderie of like-minded individuals, stimulates my senses and wets my appetite for creativity.  Hence, lots of yarn without a project.  Recently, while shopping at one of my favorite yarn stores in the East Bay, a sales person mentioned, “Don’t let the project dictate the yarn.”  Interesting…

While attending Stitches West about five years ago, I purchased two hanks of a bulky/chunky weight hand-dyed yarn from Urban Fauna located in SF (since closed).  I wanted to make sure I found just the right project for the yarn.  Spending time on Ravelry definitely provided a multitude of knitting options.

L’Enveloppe designed by Sally Melville caught my design eye.  “It’s not a  cape, not a poncho, not a shrug, not a shawl, not a cowl.  It’s small enough to wear under a coat, but big enough to wear instead of one, and it envelops us in style.”  The pattern is offered in four different gauges and two different stitch patterns, garter and seed.

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Photo credit:  Mary Lou Fall

Here is my knitted interpretation of L’Enveloppe.  I decided to knit the pattern in garter stitch, which combined with the yarn creates a well-defined three dimensional surface. The pattern is interesting to knit, with straight-forward instructions, and the fit is amazing!

 

 

 

 

 

 

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Shibori

I’ve long been interested in the Shibori technique and found this blog post so interesting!  So interesting, in fact, I wanted to share the beautiful images and information on my blog.

This is a guest post by Kim of Flextiles. She recently attended the Tenth International Shibori Symposium and I thought you all might to get a glimpse of what she did and saw there. There will be a second post in February. Thanks Kim! Last November, I attended the 10th International Shibori Symposium (hereafter referred […]

via Tenth International Shibori Symposium — feltingandfiberstudio

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Life

Last year, my mother passed away in her sleep without a Will.  Becoming the Administrator of her Estate was a lengthy process, but nothing compared to the unknown obstacles I would be forced to deal with it. With my husband by my side, we faced each situation with tenacity and common sense, never loosing focus on what really matters, while maintaining our lifestyle. My continued exploration in the world of knitting, exercise, and photography keeps me grounded.

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Photo Credit: Mary Lou Fall

Capturing rain drops on persimmons hanging from a tree outside my studio window.

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Photo credit: Mary Lou Fall

Hiking while coping with one of the worst storms this year in Northern California.  At least, the drought is officially over.  I look forward to planting sunflowers this year.

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Photo credit: Mary Lou Fall

Playing around with the color wheel observing the interaction between colors using a knitting pattern of slip stitches.

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Photo credit: Mary Lou Fall

Black and white is so appealing.

 

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Versatility With Binary Stitches

I’ve been programming (in a sense) my latest design using Binary Stitches©.  The original order of stitches was not what I ended up with.  I manipulated the rows as if they were lines of code, trying to achieve a particular visual effect.

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Paper cut-outs were used to help me decide which direction I wanted to knit.

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Was I going to knit in the round, flat with a seam or use a provisional cast on?  I decided to knit Versatility flat with a seam.

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Versatility Option #1

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Versatility Option #2

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Versatility Option #3

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Versatility Option #4

Versatility With Binary Stitches©

Materials:  Malabrigo Rasta Kettle Dyed Merino Wool, approx. 90 yds, col. 416 Indiecita.  Option 1 (qty 1) and Options 2-4 (qty 2).

US Size 15 needle

Gauge:  2 sts = 1″

Measurements:         Option 1:   12″ wide x 20″ long (after light blocking)

                                       Options 2-4:  12″ wide x 40″ long (after light blocking)

Multiple of 6 + 2

Edge Stitches: (RS) Wyif, slip the first and last stitch purlwise. (WS) Knit tbl of the first stitch and knit the last stitch.

Row 1:  K1, P1, K2, P1, K1, continue across the row.

Row 2:  Knit stitches as they appear

Row 3:  K3, P3, continue across the row.

Row 4:  Knit stitches as they appear.

Repeat these 4 rows.

Using Size 15 needle, CO 26 sts.  Knit to desired  length*. BO loosely and seam using desired method.

Option 1 is knit to a length of 20 inches, which gently hugs the neck.

Options 2-4 are knit to a length of 40 inches, which offers a variety of ways to wear  Versatility.

Pattern © by Mary Lou Fall

Binary Stitches©2016

Patterns are protected by international copyright laws and are intended for personal use only.  Other uses are strictly prohibited.

 

 

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