Textiles

While checking my Facebook feed today, I noticed Messy Nessy Chic posted some beautiful photographs taken by photographer/artist Christoper Payne http://www.messynessychic.com/2016/01/13/unexpected-beauty-hiding-inside-americas-last-fabric-factories/   which capture several mills that still operate in the United States.

“In this era of service jobs and office work, most of us have never been inside a factory. Several decades of overseas competition, unequal trade policies, and a flood of cheap imports have decimated American factories. Since 1990, job losses in apparel and textiles have been greater than those in any other type of manufacturing, and today we have little idea where, or how, the shirt on our back is made.

In 2010, I discovered an old yarn mill in Maine that reminded me of the state hospital workshops I had photographed for my book, Asylum. While those places had long been abandoned, this mill was fully operational, a scene from the past miraculously coexisting with the present. I returned to the mill several times, and from conversations with employees, learned of other mills in the Northeast, many still functioning as they had for decades, using vintage equipment now prized for producing the “genuine article”.

In 2013, I toured several mills in the Carolinas, where the majority of textile production eventually migrated from New England, because the labor was cheaper. The mills are vast and mostly automated, and have survived by adapting technologically to the global marketplace. Though they bear little resemblance to their Northern forbearers, they are bound by a common history and are economically dependent on each other. By the time a finished fabric reaches the customer, it has passed through many factories, each a crucial link in the chain of production.

Over the past five years, I have gained access to an industry that continues to thrive, albeit on a much smaller scale, and for the most part, out of public view. With my photographs I aim to show how this iconic symbol of American manufacturing has changed and what its future may hold. I also wish to pay tribute to the undervalued segment of Americans who work in this sector. They are a cross section of young and old, skilled and unskilled, recent immigrants, and veteran employees, some of whom have spent their entire lives in a single factory. Together, they share a quiet pride and dignity, and are proof that manual labor and craftsmanship still have value in today’s economy.”

Here is one of my favorite photographs taken by Christopher Payne. http://www.chrispaynephoto.com/textiles1/3t84aycz3g450y0o6wyk7txxp907mb

Made in USA: Textiles
Leavers Lace, West Greenwich, RI

Are You Autotelic?

I found an interesting video by Christopher Jobson, Painting In The Dark: The Struggle For Art In A World Obsessed With Popularity.  Jobson  discusses Vincent Van Gogh’s desire to create everyday, learning for the sake of gaining experience, and seeking the acceptance of only one, his brother Theo.

This is one of my favorite Van Gogh paintings, Lane of Poplars at Sunset.

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“What would life be if we had no courage to attempt anything?” – Vincent Van Gogh

Check out Christopher Jobson’s video here:

http://www.thisiscolossal.com/2016/01/painting-in-the-dark/

 

Back To The Drawing Board

After completing pattern drafting for Skirts,  I decided to move forward with Moulage.   With pencil and eraser nearby, I began translating my measurements onto paper, the end result would be a “mold” of my body to assist in garment construction.

First, I needed to draft a Foundation Block front and back in order to draft a custom moulage of my upper torso.  Once completed, I drafted a bodice sloper of my front and back, and mounted the two on oak tag.

Moulage_1 Moulage #2_1The text book used for class, Building Patterns, The Architecture of Women’s Clothing, written by Suzy Ferrer can be a bit overwhelming given the amount of technical information.  A semester of instruction would definitely explain, in detail, the technical aspects of this informative book.

Here is my moulage.  A few minor adjustments to the shoulders and hips were made (as pinned in the photo.)

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It was an intense experience, but also rewarding.  I am proud of my accomplishment.

 

 

 

Mary, Mary Quite Contrary How Does Your Garden Grow?

For the last four and a half years, I’ve become aware of many facets of my life I need to cultivate. I’ve realized the importance of establishing acquaintances/friendships old and new.  Let’s face it, making the effort to keep in touch is not easy.  Making a commitment requires follow-through, which I felt in the past, I didn’t have the time nor energy to do.  It always seemed like so many things got in the way.

After two years of deep soul searching and evaluation, it was time to make a commitment to myself in order for my garden to grow.  I’ve spent so many years pulling the weeds from someone else’s garden, it was time to fertilize my own.

Today I spent the afternoon with a friend from high school.  We’ve not seen each other for at least 25 years.

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I found our high school graduation photos buried in a box of old photos.  She’s pictured on the (L) and I’m on the (R).

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After all these years. I’m on the (L) and she’s on the (R).

Mary Lou, Sue and Dusty

I met her burro, Dusty.  He is so gentle.

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Her dog Sebastian (L) and her father’s dog Buddy (R).  Buddy and I are buddies.  If he ever needs a new home my door is open.

We had a wonderful afternoon and plan on getting the rest of the group together in December.

Intro To Block Painting/Printing

Today, before I venture out to do my inner core workout, I want to share my latest endeavor, “Block Painting.”  I’ve wanted to experiment with this technique for awhile, and decided to go for it!  Initially, the blocks were purchased to use with polymer clay, but after watching numerous YouTube videos, I decided to use fabric.  I also plan on using the eclectic mix of paint in my collection, before investing in the medium.

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Here are various blocks for borders, allover printing, etc.

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Remnants of a quilting project.

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I drew a grid on the fabric first for placement of the block.  Of course, the striped fabric may or may not be your choice, but I wanted to try it anyway.

Got to go to class…more to come.

An Abundance of Flowers

We exist in a kind of brand mania that asserts that everything from your razor blade to your public library to the I.R.S. needs to have a relatable personality.

The above quote was taken from a New York Times Style Magazine article dated October 25, 2015, written by Michael Rock entitled, Hooked on a Feeling.  Rock mentions, “Through the use of the various social media platforms everything and everyone has its own brand, lacking human emotions.  Why are we all so susceptible to manufactured emotion.  Why are we so needy?”

I argue, throughout history people have always coveted “objects of desire” to define a public persona.”Conspicuous consumption,” the public display of economic power has been around since the leisure class. I believe branding only suits largely distributed objects and not individuals.  Social media has corrupted the “one-on-one look me in the eyes conversation,” creating a lack of empathy.

Michael Rock’s article reminds me of Cicero’s famous quote, “Times are bad.  Children no longer obey their parents, and everyone is writing a book.”

Here’s what defines me:

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The vibrancy of colors in nature.

100 Flowers of Crochet

The memories of crocheting 100 flowers for an art class, while the remaining students used technology.

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Conversations with my husband.

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My latest knitting project.

Pacific International Quilt Festival

Today, I took a break from the grueling removal of a thirty year-old carpet and went to the Pacific International Quilt Festival.   Here are a few of my favorites:

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Splash! quilted by Janet McCallum from the United Kingdom measures 46″ x 47″, features Jackson Pollock inspired fabric.  All the fabric was hand-dyed and hand-painted by McCallum using procion dyes.  “I drew up a splash shape and appliqued it to the background by hand and added an extra layer of wadding to the shape.”

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Flower Power (The Story of a Castaway)  measures 39″ x 57″, quilted by Martina Unterharnscheidt from Germany believes, “A quilt is a quilt; every quilt has two sides and tells two stories.” The original design was machine pieced with hand and machine applique.

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Grandpa’s Model Twenty #1 quilted by Jodi Robinson from Enon Valley, PA measures 60″ x 60″, inspired by a cool mid-century modern stereo system that Robinson’s grandfather had called the KLM Model Twenty.  “It wasn’t until I was looking through some old photos, and found a picture of me as a child standing in front of it, that I remembered it…the design was amazing, angular wooden boxes, supported by white curved tulip bases.”

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White Spaces quilted by Bev Bird from Absecon, NJ measures 54″ x 50″, influenced by French fashion icon Andre Courreges’ dramatically simple design in the 1960s.  “Influenced by modernism in architecture and his own engineering background. Sharp angular lines, geometric shapes and his trademark white with black and sometimes a single color.”

Though I appreciate traditional quilting, I’m drawn to the visual rhythm expressed in Mod Quilts through the use of pattern, geometric shapes and lines.