Mobile Photography is the future of the art form. Discrete intimate and always accessible to capture a moment. – David S. McNamara
Photographs are said to preserve a moment in time, chronicle a piece of history, and refer to the ephemeral. Does the act of photo manipulation rewrite the history documented in the original photograph? I don’t use photos as a memory aid, but as a way to manipulate color, patterns and shape. I decided to co-mingle technology with textiles producing sticks-a-gogo Art Cloth.
For the last two years, I’ve produced images for surface design on fabric. Below are two examples, showing the original image and the resulting surface element.
Over and over, I keep asking myself the same question, “What am I good at?” Of course, this question does not refer to me as a person, but as an artist. I’m an accomplished knitter publishing free patterns on Ravelry. Out of necessity, I learned how to sew my first garment when I was eight years old, and currently I’m enrolled in the Fashion Program at Canada College located in Redwood City, California. Later in life, I studied Art History at the University of California, Berkeley. Fulfilling a life-long dream, and being the first in my family to graduate from college was bittersweet. But, “What am I good at?”
As a young girl, I enjoyed taking pictures with my father’s Kodak Instamatic Camera with plastic flash cubes. When my father started using the Polaroid Camera with the peel-apart color prints, I was hooked. I carried a Polaroid Pocket Camera everywhere I went. A few years back, I began experimenting with Holga plastic cameras. The journey which began with “red eyes,” instant color prints along with the double-exposure capability using 120 film, prepared me for the boundless creative options of the cellphone camera.
How could I take advantage of the beautiful art images I captured with my cellphone camera? In a world with digital prints on fabric, why not put my images on fabric? Better yet, why not sew with fabric which created a digital narrative of what I “see” as interesting.
These photos were sent to me by Virginia. Along with sticks-a-gogo Art Cloth, Virginia used the Yuya Dress pattern by Damar Studio. It is so gratifying to see my digital narrative take on a new meaning.
I was so excited to receive Sandra Betzina’s current Newsletter. What a wonderful surprise to read about sticks-a-gogo Art Cloth. I look so forward to seeing the fabric stitched up in one of Sandra’s designs.
What’s next for sticks-a-gogo Art Cloth? I’m ready to find out!
Well, last weekend was Artistry in Fashion at Canada College in Redwood City, CA. My first installation of sticks-a-gogo Art Cloth was well-received. One person said, “Your booth is really fresh and original.” Another mentioned, “Your work is original, and believe me, I’ve seen a lot.” I wasn’t sure “people would get me” and what I was trying to express until Sandra Betzina, said, ” You’re on to something, keep it up.” I don’t usually like to name drop, but in this case…Why not!
Here are the first of my new collection:
Sticks-a-gogo Art Cloth is exploring other avenues for fabric substrates. Leather may be added to the collection. How exciting! I’ll keep you posted, or follow sticks-a-gogo on Instagram.
What started as a casual meeting during a presentation Christine was giving at Canada College Fashion Department, has become a friendship. A friendship which recently blossomed into a professional collaboration. Christine Groom of ZigZag Designs and me, Mary Lou Fall of sticks-a-gogo Art Cloth are collaborating at Artistry in Fashion on September 28, 2019 from 10-4 pm at Canada College located in Redwood City, California.
I am so excited to share one of our collaborations.
Creating digital textile images via contemporary digital printing technology empowers me to make my own art cloth designs. Looking through the lens of my cellphone along with a gentle click of the finger, I am able to create a narrative of places, people and things I find interesting.
The ability to bring my vision to “life” from start to finish elevates my importance as a designer and a consumer. Utilizing new skills, which by the way, I’ve been taking classes using Photoshop Elements, supports my desire to create something special, a timeless unique piece of artwork. A symbiotic relationship develops between me and the image, I am emotionally attached to the cloth because it describes who I am.
For a long time, I’ve wanted to combine two of my passions…photography and fabric. I’ve been fascinated with Photoshop for some time, and recently discovered a vehicle for designing fabric digitally, Spoonflower.
I started out with a picture I captured with my digital camera.
Used Photoshop for fun, and uploaded my design to Spoonflower.
I proofed the design to make sure the visual imagery was what I wanted.
I’m excited about all the creative possibilities for this fabric design with more to come. Stay tuned!
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