Today is a day void of unnecessary noise. A day so peaceful, I can hear myself think. No streaming Netflix, texting, working out at the gym or listening to music. I can hear myself turn the pages of one of my favorite knitting books looking for something new to knit, along with the tapping of my laptop keyboard as I write this post.
Within the last week, I’ve discovered how small the world of creativity has become. For the last five years, I’ve attempted to use my blog to fill a large empty space in my heart. I wanted to channel my energies into something positive, and not dwell on a not so pleasant situation. So, I exposed my creative self to the world through this blog. I viewed my blog as a means of communication and education about what interests me, hoping along the way, someone else would enjoy this journey. I’ve always been cognizant to give credit where credit is due. If I post a picture, I site the source. If I reference a book, I credit the author and publisher. But of course, I don’t own a large yarn distribution company, and I haven’t written a book (even though I could), nor do I pound the pavement looking to teach at my LYS (been there done that).
It’s no secret that I’m more about letting yarn do what it’s supposed to do. What do I mean? Mohair added to any fiber, man-made or natural creates a beautiful subtle halo of color and softness, but combining novelty yarns together “knit as one” or with a natural fiber does not interest me. Yarns have their own fiber content, color and texture waiting to be transformed. Knit as individuals, different gauges and fiber content used in the same project creates a juxtaposition of weight and appearance which produces an interesting sculptural quality. In my personal opinion, combining yarns “knit as one” does not allow the individual yarn to speak for itself. Knit and crochet stitches translate for the yarn a language for all to see.
A sampler of textures expressed in the following images were knitted using Alchemy Yarns, and Habu(top left) and Habu and SMC Select (bottom two images).Using a size 10 US (6mm) needle, the stitches in the pieces were stockinette stitch, garter stitch, K1, P1 rib, K2, P1 rib, (RS) K1, P1 and purl back on the WS, seed stitch and Polperro Laughing Boy stitch. Kits for the scarf pictured below are available from email@example.com.
I’m mesmerized by the cones of yarn from HABU textiles. Silk stainless, paper moire, paper linen and tsumugi silk to name a few. Kushu Kushu merino and silk stainless scarf designed by Setsuko Torii, uses four different needle sizes which explores the effects of tension and gauge within the design. The co-mingling of the silk merino and silk stainless steel begin the scarf, while the silk stainless steel stands alone at the other end of the scarf.
The pattern consists of a numbering system familiar to Japanese knitters. The numbering system produces a straight-forward schematic, thus eliminating questionable interpretations associated with writtern instructions.
After knitting the scarf, I incorporated wooden beads secured with silicone rubberbands for resists, and lightly fulled the scarf by hand.
The subtle dimensionality adds interest to the delicate appearance of the scarf.
In the past, I usually feel a bit melancholy when December 31st rolls around. The thought of one year gone brings me closer to the inevitable, and you all know what I’m talking about. Perhaps feeling a bit morose has to do with the “let down” from the adrenaline rush associated with the hustle and bustle of the holidays, excitement, food and socializing. The “coming down” from the adrenaline high coincides with December 31st. When the clock strikes twelve…
Instead of losing time, I am gaining months, days and years of dreaming, experimentation, exploration, and an opportunity to create, love and laugh.
“Without leaps of imagination, or dreaming, we lose the excitement of possibilities. Dreaming, after all, is a form of planning.”