Just by chance…an unexpected opportunity.
Useful information with an assortment of beautiful examples.
This is a post that had been brewing for some time now, revisited after I started weaving, and now with two recent posts I read over the week – an anecdote about co-workers who didn’t know the primary and secondary colors on a color wheel, and an article about how to choose colors for a project.
Some time ago, I was asked how I came up with my color combinations, since they had difficulties or were challenged when choosing colors for their projects. That got me to thinking about how I’ve used color in my projects. I had taken art classes through the school years, and fiddled around with painting and drawing after – maybe that is why I don’t think much about color theories, it just sort of comes naturally when going through the stash or walking down the yarn aisle in a store. Of course there’s a lot of the…
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What a historical treasure and the fabric is beautiful.
In Hungary outside Budapest, about a 45 minute train ride on a Russian built train through the country side is a town called Szentendre. Here I found this shop that sells blue-dyed products called Kovács Kékfestő. The fabric and products that are sold here are made according to traditional methods. It was started by the Kovács family in 1878 in Hungary. Through the years each member of the family has been awarded the title of “Folk Art Master”, the workshop is situated at Kőrösi Street 9 in Tiszakécske and the equipment they use is from the turn of the century. Blue-print material is considered very ordinary in Hungary.
The original blue-dying was a cold indigo dye done in a large in-ground, dyeing tub. Since 1932 the family wrote down the instructions and it now is an indanthrene warm dye. Mária Kovás now runs the shop and she uses blue-dying…
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